FOR Brother Fang, a highlight of the Collectors' Choice Music reissue I got a week ago, Paul Revere & The Raiders Featuring Mark Lindsay: The Complete Columbia Singles (3-CD set), is the rare promotional side of "Judge GTO Breakaway". The record was used as a marketing gimmick, the lucky buyer of one of these muscle cars from the Pontiac division of General Motors receiving a new vinyl 45rpm single for FREE as an additional reward for choosing such a sweet ride!
Keeping it trivial....
Fang Shih-yu, Shaolin Temple.
Friday, August 27, 2010
Tuesday, August 24, 2010
In the case of Farewell, My Love, we have a drama with an issue which still holds relevance today: cancer. It's the reason why Jiang Han (Julie Yeh Feng) cannot conceive another child. (The cancer is only characterized as "inoperable", but maybe it's ovarian cancer?) From her diagnosis onward, it becomes anything but a Lifetime movie.
How does she decide to deal with her ailment? By courageously...letting it run its course, not telling any of her friends or family in the process!! That's right; she won't even go for a second opinion, and even the slightest possibility that something can be done to save her doesn't give her inspiration to fight it.
She accepts the fact (and a prescription for pain pills) she's only months to live; in the time remaining, she must find a woman to take her place as a wife to her architect spouse, Shimin (Kwan Shan, Police Story 2), and as a mom to her daughter, Lingling (Niu Niu, The Brave Archer 2).
As luck would have it, her husband recently hired an assistant, a pretty young lady with some emotional baggage of her own, Chuchu (Jenny Hu, Love Without End); she performs well at her job, but no one knows why she keeps a distance from the male co-workers who are attracted to her. Shimin thinks she's a touch strange; even so, Jiang Han quickly befriends her, not only inviting her to Shimin's birthday party, but also finding out why she is as morose as she is.
Chuchu's a widow; after a rough childhood, her husband was the only one who truly gave her love and affection, and his fatal car crash has left her isolated and lonely. With the passage of time, Chuchu practically becomes part of the family, even showing a fondness for Lingling to the point of giving her piano lessons. It doesn't take much longer before Jiang Han thinks Chuchu may be the suitable replacement for her. In fact, she's soon told by Chuchu that she's going to quit her job because she's fallen in love with Shimin!
Realizing her odd turn of good fortune, Jiang Han manages to stop her from quitting and keeps her around as a family friend; perfect timing, as it turns out, with the cancer beginning to drain out the life that's left in her. Shimin finally learns about Jiang Han's condition shortly before they go off on a trip to celebrate their tenth wedding anniversary; they eventually depart, letting Chuchu stay at the house to care for Lingling, Shimin not knowing if he will return with Jiang Han alive.
After that, I do not think I need to tell you how it ends; you may be right about the basics, but the way things exactly finish up would catch you unawares!
Farewell, My Love would rate more highly to me had I not previously seen an earlier Shaw release, Susanna (1967, directed by Ho Meng-hua), prior to this; I'm glad I did, because its quality shows how much FML is but a half-baked rip-off, despite good performances.
In Susanna, the teenaged title character (Li Ching, King Eagle) has a terminal brain cancer; like in FML, she tells no one until her time is nearly up, all the while trying to tie up as many loose ends in her life before she passes on. The movie even has in the cast actors who later turn up in FML: Kwan Shan, Niu Niu and Fang Mien (King Boxer), who plays a doctor in both films!
The big difference between the two movies is the script for Susanna is more cohesive and less riddled with holes than the one concocted for FML, where plot lines are only carried so far only to just move the story along with no tidy conclusions brought to any of them.
While fighting cancer in 1969 was a real uphill battle on many fronts, compared to now, I still could not believe Jiang Han giving up so easily; considering her spouse was a well-paid architect, and the family lived in a mansion with servants, I know Shimin had enough money (and health insurance) that an attempt to save his wife (or prolong her living, if only for weeks or months) could be done. (Susanna, with her brain cancer, had an arguably lesser chance for survival. Whether she had told her family or not about it, I believed her to be terminal, so her story's more plausible than anything in FML.)
Mainly, the purpose for this movie's existence was to showcase the talents of Julie Yeh Feng, a Hong Kong actress whose twelve-year run in films was ending in an early retirement. She had previously spent half of that time with the Cathay Organisation (Our Sister Hedy, 1957; Air Hostess, 1959) before finishing with Shaw. (Her 1964 Shaw debut,The Warlord and the Actress, was scripted by Chang Cheh.) She's a long way past the time when International Screen Magazine once referred to her as the "Kim Novak of the East", but once you get by the '60s hair and fashions in this (older pin-up shots of her, found on the Soft Film blog, are eye-popping), she's still quite attractive and does a fine job of acting, script be damned.
Jenny Hu comes off as an Audrey Hepburn type with a low-key performance that gradually blossoms as Chuchu comes out of her shell. Really, all the cast does work superior to the uninspired script they were given. (Any fans of the Shaw martial arts films will want to watch for Chuan Yuan, who'd go on to do movies like The Lady Hermit, Vengeance! and The Thunderbolt Fist, in an early role as this movie's only [lame] comedy relief.)
The IVL DVD is another nice example of Celestial Pictures' restoration efforts with a clean, anamorphic picture, very good sound and decent English subs; this cannot be disputed!
Unless you're a Julie Yeh Feng fan who wants all of her movies currently available on DVD, there's no good reason for anyone else to get FML; the other performers featured here were in films better than this, and you should try seeking out (and spending your money on) those ones, including Susanna!
Keeping it trivial....
Fang Shih-yu, Shaolin Temple.
P.S. - Purchase it from Play-Asia by clicking on here.
Tuesday, August 17, 2010
Compared to those by-gone days when some of TV's classics got released on VHS tapes in big, bulky sets (mostly with little to no "extras"), the point that these discs were smaller in size, more flexible with holding video and audio than tape (opening it up for all kinds of "special features"), yet still play back with a sharp picture and sound, meant DVD sets could hold more while taking up less space on media shelves. Yes, DVDs trump VHS tapes, but the newer technology doesn't automatically guarantee "COMPLETE"; neither do the DVD makers, as it turns out.
Regardless if you've looked at these box sets in a discount store or online, it probably hasn't been taken long before you notice that the more recent the TV program (broadcast, syndicated or cable), the more complete it will be. (Two examples are NCIS and Friends.) On the other hand, the more you go back in time through the history of television, the more older sets will be less complete. On either end of the spectrum, consumers can be spoiled by the most ambitious of collections (whether they buy them or not); after newer ones, older sets like those for I Love Lucy or Adventures of Superman were lovingly assembled with uncut episodes and an array of extras that make other sets look anemic. (The Lucy sets really raised the bar in this department.) In-between these old and new "deluxe editions", what is there? Where to start?!
Let's begin by establishing this: above all else, what a DVD set of TV shows should contain is complete, uncut episodes, no matter how long it runs/ran; anything more is much overkill! This comes from someone who LOVES "extras", so Brother Fang is amazed he said it as much as the reader may be!
With that established, several sets fall short on this aspect alone for many reasons. Going back to the example of Gomer, once I started reading consumer feedback about all the box sets on Amazon, I was floored by what I read. As the first season set was deemed by purchasers to be COMPLETE, the rest of them weren't. (The other sets of seasons do NOT use "COMPLETE" anywhere in the copy printed on the insert sleeves.) What's missing from these other sets is a selection of songs sung by Jim Nabors, cut due to licensing hassles; how many, I can't recall. On top of this, the same cut shows in dispute run in syndication with the songs intact! (Sure, I can live without his singing, but several fans of Nabors are ticked off by the removal of the songs.) That those at Viacom (by way of CBS Video) would go all out to release complete runs of I Love Lucy, Star Trek and The Andy Griffith Show, then drop the ball on the hit Griffith "spin-off" (ranking as high as number two in the Neilsens in its heyday) is confusing; how bad are those licensing fees that they decided to edit episodes rather than pay off some music publishers? (Thank goodness they didn't sing "Happy Birthday" on all the shows!)
This is the same company who went through the hassle of putting out the first season of Love, American Style (on two sets, the shows presented in their original "hour" lengths), a show many find less essential than the worst Gomer episodes, and it never attained the ratings Gomer did, besides! Then, they dust off "second-tier" programs like The Lucy Show or Petticoat Junction and give them great starts while the long-running My Three Sons has its incidental music score ripped out of what shows have been released so far (replaced with synthesizer music) because of (again) licensing! (The last three noted shows are not completely out on DVD as of this date.) Needless to say, this is but a sampling of many inconsistencies going on at just ONE organization; there are others who contribute to the dilemma.
Space limits a listing of every flawed TV box set, but I can bring up some more examples. For every show that loses some of its music due to licensing (WKRP in Cincinnati has suffered the worst in its initial DVD reissue), there are those sets that contain "syndication prints"; these versions of episodes are all missing minutes of footage [to varying degrees] because of the need to accomodate the extra time for commercials that became the norm on TV since the '70s. All hit shows that have been syndicated over the years got/get trimmed, but for all those programs where complete shows were/are saved in storage for future use in some way (mainly, home video), others got trimmed but their original sources got misplaced or destroyed, leaving only the shorter versions left. While some workers on these collections have gone the extra mile of taking time to complete what shows they can by locating the missing footage from other films (or tapes) and combining them with the syndicated version into a composite edit (yielding a complete episode), some companies disregard trying to please potential consumers and release the chopped-up versions as is; sometimes, they mention this (in fine print) on the cases, or they don't. Oblivious buyers find out the hard way, by putting down their hard-earned money for these sets (like ones for The Real McCoys, ALF or Mama's Family), only to find out they've been had after playing the first disc! (Sometimes "extras" are used to try to make up for these shortcomings.)
If any of the episodes of a given season of whatever TV show in a set cannot be complete in length, the DVD producer should either say so in big letters on the set's case or NOT put out a set at all! It all comes back to what the buyer wants these collections to be the most: "COMPLETE"!
After licensing and source material, other problems would relate to the packaging (cardboard cases and discs in sleeves aren't the best ideas, no matter how they're used in a great design scheme), technical aspects (worst of these, the "flipper" discs that contain stuff on both sides, which are alleged to be less durable than regular DVDs), etc. The mess goes on without any end in sight.
Until all entertainment companies (including smaller reissue labels who license shows from the big guys) treat all TV shows (new or old) equally via the almighty Digital Video Disc, don't expect me to patronize the syndicated reruns of any program on the air now; they are nothing more than "carrots" being proverbially waved in my face to entice me to buy the crap they want me to buy, NOT the stuff Brother Fang actually desires! It's never too late for a company like Viacom to do the right thing; I've got the rest of my life to wait!
Keeping it trivial....
Fang Shih-yu, Shaolin Temple.